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Foundations of Design - Cengage

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jocelyn

2021-9-23 published at Occasions/ Family category

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1.Foundations of Art and Design Chapter 9: Unity and Variety
2.Proximity Fig. 9.1 American Gothic by Grant Wood
3.Proximity Creates unity Creates a feeling of claustrophobia Creates variety All of these In Fig. 9.1 American Gothic by Grant Wood the proximity of the elements: Fig. 9.1 American Gothic by Grant Wood
4.Repetition Fig. 9.2 Flower Festival: Feast of Santa Anita by Diego Rivera
5.In Fig. 9.2 Flower Festival of Santa Anita, the artist Diego Rivera uses what technique to create unity? Proximity Repetition Color and Value All of these Fig. 9.2 Flower Festival: Feast of Santa Anita Repetition
6.Color and Value Fig. 9.4 Guernica by Pablo Picasso (The most famous “black and white” painting of all time.)
7.Color and Value Create unity Tie together diverse elements Highlight key information All of these In Fig. 9.4 Guernica by Pablo Picasso the artist uses the color and value to: Fig. 9.4 Guernica by Pablo Picasso (The most famous “black and white” painting of all time.)
8.Line Fig. 9.7 Three Goddesses from the Parthenon
9.In the sculpture Three Goddesses the line and folds of the fabric serve: Line Fig. 9.7 Three Goddesses from the Parthenon To unify elements in the composition As Leading Line Both of these
10.Fig. 9.9 Prevalence of Ritual: Baptism by Romare Bearden
11.One of the dominant themes used to create unity in Fig. 9.9 Prevalence of Ritual: Baptism by Romare Bearden is: Shape Contrast Repetition Fig. 9.9 Prevalence of Ritual: Baptism by Romare Bearden
12.Texture Fig. 9.10 Arbol de la Vida (Tree of Life) by Mendieta
13.Texture Fig. 9.10 Arbol de la Vida (Tree of Life) by Mendieta Color Proximity Texture All of these Fig. 9.10 Arbol de la Vida (Tree of Life) by Ana Mendieta uses what element to unify the very different elements or shapes of the composition?
14.Fig. 9.13 Untitled by Sol LeWitt
15.In Fig. 9.13 Untitled by Sol LeWitt what overwhelming devise does he use to create unity in the composition? The Grid Line Shape Color Fig. 9.13 Untitled by Sol LeWitt
16.Continuity Fig. 9.11 Primavera by Sandro Botticelli
17.Continuity Continuity is… Fig. 9.11 Primavera by Sandro Botticelli The flow of line or contour A way to achieve unity The continuous transition from one shape to another used to lead the viewer’s eye from one part of a composition to another All of these
18.Unity with Variety Fig. 9.15 Screen by Eileen Gray
19.Unity with Variety Fig. 9.15 Screen by Eileen Gray What is the purpose of Variety within Unity? An effort to make the work more interesting An effort to make the work more complex Both of these
20.Repetition Fig. 9.17 Leddie & Children by Shelby Lee Adams
21.Repetition In Fig. 9.17 Leddie & Children by Shelby Lee Adams do you feel that the photographer: Fig. 9.17 Leddie & Children by Shelby Lee Adams Used design principles deliberately Simply noticed and recorded what he saw Both of these
22.Contrast Fig. 9.19 Dovima with Elephants by Richard Avedon
23.Contrast Texture Color Contrast Repetition In Fig. 9.19 Dovima with Elephants the artist uses what design element or elements to create visual interest? Fig. 9.19 Dovima with Elephants by Richard Avedon
24.Fig. 9.20 Pedocal by Yoshihiro Kimura
25.In Fig. 9.20 Pedocal by Yoshihiro Kimura what do you feel is the point of interest? Fig. 9.20 Pedocal by Yoshihiro Kimura The artist is highlighting differences in the physical structure of a work There is no point of interest
26.Motif Fig. 9.21 Mandala of Samvara (kharamukha Cakrasamvara Mandala)
27.Motif Mandala Relief Sculpture Intaglio Fig 9.21 is an example of a… Fig. 9.21 Mandala of Samvara (kharamukha Cakrasamvara Mandala)
28.Emphasis on Unity Fig. 9.25 In Mourning and In Rage by Suzanne Lacy and Leslie Labowitz
29.Emphasis on Unity When a work’s emphasis is on unity what does it create? Solidarity Discord It functions symbolically Solidarity and it functions symbolically Discord and it functions symbolically Fig. 9.25 In Mourning and In Rage by Suzanne Lacy and Leslie Labowitz
30.Emphasis on Variety Fig. 9.26 The Subway by Palmer Hayden
31.Emphasis on Variety In Fig. 9.26 The Subway by Palmer Hayden what is the emphasis? Variety Differences Both of these Fig. 9.26 The Subway by Palmer Hayden
32.Emphasis on Disunity Fig. 9.30 Woman with a Mandolin by Georges Braque
33.Emphasis on Disunity A visual device To advance the narrative To create the impression of sensory overload Fig. 9.30 Woman with a Mandolin by Georges Braque Another word for disunity is chaos. What can “Ordered Chaos” be used for in art?
34.Conceptual and Symbolic Unity and Disunity Fig. 9.33 Angry Harmony by Louise Fishman
35.Conceptual and Symbolic Unity and Disunity Conceptual Disunity Conceptual Unity Neither of these Fig. 9.33 Angry Harmony by Louise Fishman depicts the concept of: Fig. 9.33 Angry Harmony by Louise Fishman
36.Conceptual and Symbolic Unity and Disunity, continued… Fig. 9.34 Starry Night by Vincent Van Gogh
37.Conceptual and Symbolic Unity and Disunity, continued… Symbolic Unity Symbolic Disunity Fig. 9.34 Starry Night by Vincent Van Gogh is a work representative of: Fig. 9.34 Starry Night by Vincent Van Gogh
38.Conceptual and Symbolic Unity and Disunity, continued… Fig. 9.35 Fisherman at Sea by Henry Ossawa
39.Conceptual and Symbolic Unity and Disunity, continued… Symbolic Unity Symbolic Disunity Fig. 9.35 Fisherman at Sea by Henry Ossawa is a work that is symbolic of: Fig. 9.35 Fisherman at Sea by Henry Ossawa

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